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Each volume provides a general introduction to the life and work of a particular director, followed by critical essays on several of the director’s most important films.
#Film di federico fellini series#
The series consists of concise, cutting-edge reassessments of the canonical works of film study, written by innovative scholars and critics. The Cambridge Film Classics series provides a forum for revisionist studies of the classic works of the cinematic canon from the perspective of the “new auterism,” which recognizes that films emerge from a complex interaction of bureaucratic, technological, intellectual, cultural, and personal forces. He is the author of numerous books and articles on Italian cinema, including The Films of Roberto Rossellini and Italian Cinema: From Neorealism to the Present.ĬAMBRIDGE FILM CLASSICS General Editor: Ray Carney, Boston University Peter Bondanella is Distinguished Professor of Comparative Literature, Film Studies, Italian, and West European Studies at Indiana University. Rejecting an overtly ideological approach to Fellini’s cinema, Bondanella emphasizes the director’s interest in fantasy, the irrational, and individualism. Providing an overview of Fellini’s early career as a cartoonist and scriptwriter for neorealist directors such as Roberto Rossellini, this study traces the development of Fellini’s unique and personal cinematic vision as it transcends Italian neorealism. The Films of Federico Fellini The Films of Federico Fellini examines the career of one of Italy’s most renowned filmmakers through close analysis of five masterpieces that span his career: La strada, La dolce vita, 8 1⁄2, Amarcord, and Intervista.